Peer-Reviewed Book Chapter | Department of English | SIU

Southern Illinois University



College of Liberal Arts

Peer-Reviewed Book Chapter

Pinckney Benedict, “Foreword,” in Red Holler, ed. John Branscum and Wayne Thomas (Lousville: Sarabande, 2013), ix-xii.

George Boulukos, “Capitalism and Slavery, Once Again With Feeling,” in Affect after Abolition in the Anglo Atlantic, ed. Stephen Ahern (Aldershot, UK: Ashgate, 2013), 23-43

George Boulukos, “Social Liberty and Social Death: Conceiving of Slavery beyond the Black Atlantic,” in Invoking Slavery in the Eighteenth-Century British Imagination, ed. Adam Beach and Srividhya Swaminathan (Aldershot, UK: Ashgate, 2013), 175-190

Edward Brunner, “Inventing an Ancestor: The Scholar-Poet and the Sonnet” in New Formalisms and Literary History, ed. Verena Theile and Linda Tredennick (New York: Palgrave Macmillan, 2013), 71-95.

Edward Brunner, “New York School and Surrealist Poetics,” in The Cambridge Companion to Modern American Poetry, ed. Walter Kalaidjian (Cambridge: Cambridge University Press, 2015), 196-205.

Edward Brunner, “The 1970s and the ‘Poetry of the Center,’” in The Cambridge History of American Poetry, ed. Alfred Bendixen and Stephen Burt (Cambridge: Cambridge University Press, 2015), 937-958.

Elizabeth Dougherty, “Coming of Age in the 1990s: Mary Robinson and the Irish Literary Childhood.”  Children, Childhood, and Irish Society, ed. Maria Luddy and James M. Smith. (Dublin: Four Courts Press, 2014.)

Ryan Netzley, “Learning from History: Empiricism, Likeness and Liberty in Paradise Lost, Books 11-12,” in Milton’s Modernities, ed. Feisel G. Mohamed and Patrick Fadely (Evanson, Il.: Northwestern University Press, 2015).

Ryan Netzley, “Milton’s Sonnets,” in A New Companion to Milton, ed. Thomas N. Corns (Blackwell, 2016), 270-281.

Tony Williams, “Flying Leathernecks: Color and Characterization,” in Lonely Places, Dangerous Ground, eds. Steven Rybin and Will Schneibel (New York: SUNY Press, 2014), 85-96.

Tony Williams, “I Am Legend: George Romero’s Transformations,” in The Zombie Film: From White Zombie to World War Z, eds. Alain Silver and James Ursini (Milwaukee: Applause Theater and Cinema Books, 2014), 132-138.

Tony Williams, “From Kaleidoscope to Frenzy: Hitchcock’s Second British Homecoming,” in Hitchcock and Adaptation, ed. Mark Osteen (Lanham, Md.: Rowman and Littlefield, 2014), 161-173.

Tony Williams, “Bullet in the Head,” in Il Nuovo Chinema di Hong Kong: Voci e sguardi oltre l’handover, eds. Stefano Locati and Amanuele Sacchi (Milano: Edizioni Bietti: Societa dell Critica Srl, 2014), 323-324.

Tony Williams, “From Alfred Hitchcock Presents to Tanner on Tanner: The Long Tail of Altman’s Television Career” in A Companion to Robert Altman, ed. Adrian Danks (Cambridge: Wiley-Blackwell, 2015), 44-67.

Tony Williams, "The Once and Future Hawks." Howard Hawks: New Perspectives. Ed. Ian Brookes. (London: Palgrave: Macmillan, 2016).

Tony Williams, "Phantom Lady: The Masochistic Aesthetic." Film Noir Compendium: Key Selections from The Film Noir Reader Series. (New York: Applause Theater and Cinema Books, 2016).