Professor, Director of Graduate Studies
Professor Netzley’s research interests include Renaissance literature, particularly seventeenth-century lyric and Milton, literature of the English Reformation, especially martyrologies and apocalypse commentaries, and critical and poststructuralist theory. His most recent book is Lyric Apocalypse: Milton, Marvell, and the Nature of Events (Fordham UP, 2015), an examination of Milton’s and Marvell’s attempts to conceive of apocalyptic change in the present. He is also the author of Reading, Desire, and the Eucharist in Early Modern Religious Poetry (University of Toronto Press, 2011), which examines the impact of sacramental presence on our understanding of desire, love, and reading in Renaissance religious verse: namely, how do we desire a god that we do not lack? Professor Netzley has also co-edited a collection of essays on John Foxe’s Book of Martyrs and the impact of digital and print technologies on reading practice (University of Delaware Press, 2010).
He has published articles in PMLA, ELH, Criticism, Milton Quarterly, and Milton Studies, and on Milton, Donne, Herbert, Marvell, Crashaw, Foxe’s Book of Martyrs, and Taylor Hackford’s film, The Devil’s Advocate. His current monograph project explores conceptions of value and praise in Jonson, Marvell, Herbert, Herrick, and Milton and their influence on modern notions of financial and speculative value.
He is also the editor of Marvell Studies.
Lyric Apocalypse: Milton, Marvell, and the Nature of Events (Fordham University Press, 2015).
Reading, Desire, and the Eucharist in Early Modern Religious Poetry (University of Toronto Press, 2011).
Acts of Reading: Interpretation, Reading Practices, and the Idea of the Book in John Foxe’s Actes and Monuments, Co-edited with Thomas P. Anderson (University of Delaware Press, 2010).
“Managed Catastrophe: Problem-Solving and Rhyming Couplets in the Seventeenth-Century Country House Poem,” special issue: “Forms of Catastrophe,” eds. Shannon Gayk and Evelyn Reynolds, Journal of Medieval and Early Modern Studies 52.1 (Jan 2022): 147-173.
“Mine Then Thine: Rhyme, Exchange, and the Economy of the Gimmick in The Temple,” George Herbert Journal 42.1-2 (fall 2018/spring 2019): 29-52.
“Recent Studies in the English Renaissance,” SEL 60.1 (winter 2020): 153-197.
"This is Money," Provocations 2 (2019): 29-38. Review of Declarations of Dependence: Money, Aesthetics, and the Politics of Care, by Scott Ferguson.
“Literalizing Value: Poetry, Evaluation, and the Market in Marvell’s ‘The Last Instructions,’” Marvell Studies 3.1 (2018): 1-28.
“Sameness and the Poetics of Non-Relation: Andrew Marvell’s ‘The Garden,’” PMLA 132.3 (May 2017): 580-595.